KAWITA Vatanajyankur

The Scale


 

 

Her performances evoke the kind of physical labor that has traditionally fallen to women in Thailand, linking their subjugation with backbreaking work. This is perhaps most clear in “The Scale,” from 2015. We watch as she holds a yoga-like pose on her neck and shoulders, her feet aloft and supporting a plastic basket. Chunks of watermelon — 60 pounds’ worth — rain down, crashing and splashing on her, but Ms. Vatanajyankur is unfazed. (Text from The Arts of Being Bombarded by Watermelon written by Daniel McDermon in The New York Times)