PERFORMING TEXTILES SERIES
This suite of videos is Vatanajyankur's physical manifestation of manual labour processes often undertaken by women in Thailand. These actions are presented through the double-lens of a hyper-coloured formal composition and a study into the physical abilities/vulnerabilities of the body, combining as works that provoke questions of labour, consumption, feminism and the artist's lived experience.
This series is commissioned by the Dunedin Public Art Gallery, Dunedin, New Zealand.
CONTINUING PERFORMATIVE SERIES
2012 - Present
SERIES: TOOLS / WORK
Vatanajyankur’s exploration of everyday and domestic work is particularly telling of her Thai homeland. A place where, for many, daily chores aren’t always assisted by electronic contraptions or white goods but are time-consuming, physically exhausting, and often the task of women. The videos’ happy, day-glow colours, dark humour and undercurrents of violence, however, bring a universality and contemporary currency to the historical trajectory of feminist art. It is telling, for instance, that she describes her performances as “meditation postures”, when such gruelling tests of resilience and fear are quite the opposite of what we might think of now as zen. But, for Vatanajyankur, extreme physical endurance offers a way to free herself from her mind: a mechanism to lose her sense of being. This deliberate objectification, she says, turns her body into sculpture.
Carrier I, HD Video Still, 2017 (ACP commission)
Splashed is a new approach towards a different artistic practice as it rather focuses on commenting the modified lies, modification and manipulations behind consumerism. Packages of food are printed and painted with surrealistic happy characters and graphics, bright and colorful logos, as well as idealistic and perfect shapes and colors of meat covering the truth behind the untold, unreachable, unseen stories of exploitations, violence and disturbance.
OLDER VIDEO WORK