PERFORMING TEXTILES SERIES
This suite of videos is Vatanajyankur's physical manifestation of manual labour processes often undertaken by women in Thailand. These actions are presented through the double-lens of a hyper-coloured formal composition and a study into the physical abilities/vulnerabilities of the body, combining as works that provoke questions of labour, consumption, feminism and the artist's lived experience.
This series is commissioned by the Dunedin Public Art Gallery, Dunedin, New Zealand.
Commissioned by The Peninsula Bangkok and The Bangkok Art Biennale
Knit, Documentation of live performance, Ultra HD Video, 2019
2015 - 2017
Vatanajyankur’s exploration of everyday and domestic work is particularly telling of her Thai homeland. A place where, for many, daily chores aren’t always assisted by electronic contraptions or white goods but are time-consuming, physically exhausting, and often the task of women. The videos’ happy, day-glow colours, dark humour and undercurrents of violence, however, bring a universality and contemporary currency to the historical trajectory of feminist art. It is telling, for instance, that she describes her performances as “meditation postures”, when such gruelling tests of resilience and fear are quite the opposite of what we might think of now as zen. But, for Vatanajyankur, extreme physical endurance offers a way to free herself from her mind: a mechanism to lose her sense of being. This deliberate objectification, she says, turns her body into sculpture.
Carrier I, Digital Print, 2017 (ACP Commission)
2012 - 2014
Kawita Vatanajyankur's performative video series Tools aims to reconstruct the elements of traditional seventeenth-century painting—often portraying a female figure, usually posed as a still object within a domestic work space. Vatanajyankur's work illustrates the relationship between the female body and domestic objects, which physically—sometimes violently—confront each other until the body succumbs and is pressured to work with the object; merge with it; become part of it; and eventually, is transformed into a sculptured domestic tool. The action and reaction of the body reflects the physical, psychological and cultural aspects of female endurance, physical resilience, strength and insecurity.
Splashed is a new approach towards a different artistic practice as it rather focuses on commenting the modified lies, modification and manipulations behind consumerism. Packages of food are printed and painted with surrealistic happy characters and graphics, bright and colorful logos, as well as idealistic and perfect shapes and colors of meat covering the truth behind the untold, unreachable, unseen stories of exploitations, violence and disturbance.
Carrier II, Digital Print, 2017
Big Fish in a Small Pond, Digital Print, 2017
OLDER VIDEO WORK
Works created when Vatanajyankur was a student